Nada Brahma - The Sound Of Creation : SACRED PORTALS to ANOTHER REALITY

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Plato told us that the world around us was made of geometry, Platonic Solids where shapes and triangles are transformed into frequencies …  the world around us is created by sound. Nada Brahma – The Sound Of God. And with that we arive at the beautiful ‘Islamic Geometry‘, but what do they mean. Is this just ‘a piece of art’ of people who had nothing better to do than making art? Maybe the same ‘art’ as found in ‘Rosslyn Chappel’…? Just art and nothing more…? 

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The Rosslyn Frequency :

PORTALS to ANOTHER REALITY

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Islamic Geometry

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Crop circles, flowers, Water Sound Images, Plato’s Solids, Rosslyn Cubes, all pointing to a direction which ancient people already knew: the power of sound. Before hopping over to the South African Stone Circles, we have a look in Fez, Marocco at some beautifull Islamic Patters. All these patters are made of a combination of 4-, 5-, and 6-fold geometry. That’s it. Nothing more, nothing less. A circle diveded into 4, 5 of 6 parts and with that you have all you need to draw Islamic Geometric patterns

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Cymatics similarity to the Rosslyn cubes
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‘This video presentation is an interesting comparison made between the patterns produced by certain pitches and frequencies in Cymatics and the symbols on the faces of the cubes. The note of the pitch can be heard in the voices of the choir as it merges with the pitch of the cymatics demonstration. If you listen closely to the pitch of the oscillator (humming the pitch to yourself) you will hear the first note of the choir and its relevant cube, are the same’.
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The Rosslyn Stave Angel – Music Cipher

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Rosslyn’s ‘Lady Chapel’ is (basically) a 15th Century “CD” and using an ancient/natural way of recording sequences of pitch/frequencies. We call this system today ‘Cymatics’ also known as ‘Chladni Patterns’. Cymatics is natures “resonant notational system’, a music system and language that visually display’s the frequency of pitch in amazing geometric patterns and are inherent in the fabric of nature. All produced using very simple apparatus and materials.

The designers appear to have applied this formula to record the music in stone carvings and we have translated the frequencies employing this formula to Rosslyn Chapel’s cubic, carved patterns.

There is also an angel/music cipher that points out 3 notes of the music to The Rosslyn Motet accounting for 70% of the entire cube sequence. It is so subtle a decoy that you are supposed to think it is a musician playing a Harp or Psaltery, but when you look in detail, he is actually pointing strategically at 3 different lines and spaces of a stave of music. Referring to the first 3 cubes rising above his head.

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It’s All The Same

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And it is: everything around us is made out of the same weird stuff: sound, frequencies. And our voices are also sound. From 20 to 20.000 Hz we can hear, below of above that we can not hear anything. But that does not mean that there is no sound when we hear nothing… Same as the high frequencies measured in stone- and crop circles: ‘they’ are there, measured but we can not hear them. And we learned that if we can not hear sound, it is does not exists… Yeah, right…:)
‘Is Sound Creating…?’ so far, I guess there is an amount of evidence that indeed sound is creating everything around us. Nada Brahma. The Voice Of God.
A ‘Uni-Verse’ (One Song) created by sound, by OMMM whatever.
It is all the same.
And crop circles are created by sound.
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Crop Circles and Sacred Geometry

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Danny Wilten – Kaaba and Human Temple Geometry

 

To Muslims around the world, the most sacred spot on earth is a black-draped, square shrine called the Kaaba, which stands in the central courtyard of the vast Al-Haram Mosque in Makkah. It is toward this spot that Muslims turn five times a day in prayer. And it is the goal of every devout Muslim to make a pilgrimage to the Kaaba at least once in a lifetime.

Islamic tradition asserts that Abraham and Ishmael built the Kaaba as a copy of God's house in heaven. Cube shaped, it is 50 feet high and made of gray stone and marble. Its early history is unclear, but it is known that when Muhammad conquered Makkah in 630, he destroyed pagan idols inside. Since then, Muslims have focused their devotion on the Kaaba. The inside is empty, except for three pillars that hold up the roof and some hanging lamps of silver and gold.

 READ MORE HERE

http://adventure.howstuffworks.com/kaaba-and-al-haram-mosque-landmark.htm

 

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Solomon's Temple & Hindu Temple Designs Are The Same 

 

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Solomon's Temple And The Judgement Hall Of Osiris

Are The Same Diagram

 

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Vatican City St. Peter's Square Is The Design Of Solomon's Temple 

 

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The Love Frequency 528 Hz : musical mathematical matrix of creation

 

 

Karol Jankowiak, Guest
Waking Times

According to Dr. Leonard Horowitz, 528 Hertz is a frequency that is central to the “musical mathematical matrix of creation.” More than any sound previously discovered, the “LOVE frequency” resonates at the heart of everything. It connects your heart, your spiritual essence, to the spiraling reality of heaven and earth.

The Love frequency is the “Miracle” note of the original Solfeggio musical scale. Independently confirmed by researchers, these core creative frequencies were used by ancient priests and healers in advanced civilizations to manifest miracles and produce blessings.

Math scientist Victor Showell describes 528 as fundamental to the ancient Pi, Phi, and the Golden Mean evident throughout natural design. Vic Showell and John Stuart Reid (a pioneer in acoustic research and cymatic measurements) have proven that 528 is essential to the sacred geometry of circles and spirals consistent with DNA structuring and hydrosonic restructuring.

528 resolves to a 6, the icon for physical manifestation. That is, 5+2+8=15; and 1+5=6 (using Pythagorean math). The symbol “6” reflects the “spiraling down from heaven into the wholeness of earth.” In fact, the Love frequency can be fundamental to broadcasting all matter and energy into reality according to the laws of physics.

READ MORE HERE
http://www.wakingtimes.com/2014/02/05/the-love-frequency-528-hz/
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3 hours of Deep Sleep Frequency 528 Hz 

the MIRACLE frequency-

Relaxing Music-Ocean Sounds-

Meditation 

 

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Can you imagine how beautiful the world would be with the Love vibration permeating the air? More and more people are awakening spiritually, mentally and emotionally and choose to be in tune with 528Hz.  This healing frequency helps you flow in perfect rhythm and harmony.

Nearly our entire global economy is built upon a foundation of illness, sickness, and death. The powerful Sound of Love can end the problems on Earth today. I encourage you to use the 528 Hz frequency to restore human consciousness to its full power and potential.

This piece is designed around the 528hz frequency to give you the deepest sleep and relaxation possible, it is purposely sparse and not overly melodic so as to not trigger
any emotional responses.

 

SACRED MUSIC : Solfeggio Frequencies in THE GREGORIAN CHANTS

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What are the Solfeggio frequencies?

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Solfeggio frequencies make up the ancient 6-tone scale thought to have been used in sacred music, including the beautiful and well known Gregorian Chants. The chants and their special tones were believed to impart spiritual blessings when sung in harmony. Each Solfeggio tone is comprised of a frequency required to balance your energy and keep your body, mind and spirit in perfect harmony.
The main six Solfeggio frequencies are:
396 Hz – Liberating Guilt and Fear
417 Hz – Undoing Situations and Facilitating Change
528 Hz – Transformation and Miracles (DNA Repair)
639 Hz – Connecting/Relationships
741 Hz – Expression/Solutions
852 Hz – Returning to Spiritual Order

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Where do these tones come from?

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According to Professor Willi Apel, the origin of the ancient Solfeggio scale can be traced back to a Medieval hymn to John the Baptist. The hymn has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. Because the music held mathematic resonance, the original frequencies were capable of spiritually inspiring mankind to be more “god-kind”.
The original Solfeggio scale was developed by a Benedictine monk, Guido d’Arezzo (c. 991 AD – c. 1050 AD). It was used by singers to learn chants and songs more easily. Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis, written by Paulus Diaconus.
In the mid-1970’s Dr. Joseph Puleo, a physician and America’s leading herbalist, found six electro-magnetic sound frequencies that corresponded to the syllables from the hymn to St. John the Baptist.
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How were the frequencies discovered?

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According to the documentation provided in “Healing Codes for the Biological Apocalypse“, Dr. Joseph Puleo was introduced, through an open vision, to the Pythagorean method of numeral reduction. Using this method, he discovered the pattern of six repeating codes in the Book of Numbers, Chapter 7, verses 12 through 83.
The Pythagorean method is a simple reduction method, used to turn big numbers into single digits. The values of all digits in the number are added up. When after the first addition the number still contains more than one digit, the process is repeated.
Here’s an example:
456 can be reduced to 4+5+6 = 15, and subsequently reduced to 1+5=6. So the number 456 reduces eventually to the single digit 6.
Dr. Joseph Puleo found repetitions of a single issue or subject in the Book of Numbers. In Chapter 7, verse 12 he found a reference to the first day, the second day was mentioned in verse 18, the third day in verse 24, and so forth until the final reference in verse 78 which is speaking of the twelfth day.

The Pythagorean reduction of these verse numbers is:

Verse 12 = 1 + 2 = 3
Verse 18 = 1 + 8 = 9
Verse 24 = 2 + 4 = 6
Verse 30 = 3 + 0 = 3
Verse 36 = 3 + 6 = 9
Verse 42 = 4 + 2 = 6
…until verse 78

Do you see the repetition of 396? This is the first frequency.

He found the next frequency by looking at verse 13, which is speaking of an offering. Six verses down, which is verse 19, the same offering or idea is repeated, six verses down at verse 25 there is another repeat, etc. Thus, by using the Pythagorean method of reduction, again he discovered a pattern. This pattern is 417. It is the second frequency. The rest of the frequencies were found using the same method.
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The secret meanings of the ancient syllables

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As you already know, the syllables used to denote the tones are: Ut, Re, Mi Fa, Sol, La. They were taken from the first stanza of the hymn to St. John the Baptist:

Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes

Literal translation from Latin:

“In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) polluted lip. Saint John.”

In other words, so people could live together in peace and communicate in harmony about the miracle in their lives, and how God blessed them to produce this “magic”, people’s true unpolluted spiritual natures required revelation. The above text seems to suggest that Solfeggio notes open up a channel of communication with the Divine.
Each syllable was thoroughly studied by Dr. Puleo and other professional researchers. David Hulse, a sound therapy pioneer with over 40 years of experience, described the tones as the following:

UT – 396 Hz – turning grief into joy, liberating guilt & fear
RE – 417 Hz – undoing situations & facilitating change
MI – 528 Hz – transformation & miracles, repairing DNA
FA – 639 Hz – relationship, connecting with spiritual family
SOL – 741 Hz – expression/solutions, cleaning & solving
LA – 852 Hz – returning to spiritual order

Click here for detailed description of each tone.
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Why the modern world forgot about them

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The Solfeggio frequencies were lost because throughout history different tuning applications have been used. Ancient tuning practices used a system of tuning known as “Just Intonation.” The method of Just Intonation featured pure intervals between every note that were mathematically related by ratios of small whole numbers leading to a much purer sound.
The tuning practice adopted for western cultures from about the 16th century and used today is known as “Twelve-Tone Equal Temperament”. According to Joachim Ernst-Berendt, the 12-Tone Equal Temperament mistunes all consonant intervals except the octave. Our modern scale can create situations such ‘boxed-in’ thinking, stuffed and suppressed emotions, fear-based or lack consciousness, all of which then tend to manifest into physical symptoms called ‘dis-ease’ or disease.
Our modern day musical scale is out of sync when compared with the original Solfeggio scale. If we want to bring harmony in our lives, we need to replace the dissonant western scale with a web of subtle and clear intervallic relationships of the Solfeggio music. Let the music become once again a tool to raise human nature and a method to connect you with the Source.
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Your secret key to the Universe

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Nikola Tesla, the great genius and father of electromagnetic engineering, had once said, “If you only knew the magnificence of the 3, 6 and 9, then you would hold a key to the universe”. The 3, 6, and 9 are the fundamental root vibrations of the Solfeggio frequencies.
Albert Einstein stated: “Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter.” All matter beings vibrate at specific rates and everything has its own melody. The musical nature of nuclear matter from atoms to galaxies is now finally being recognized by science.
That is why these frequencies are so powerful. They can literally bring you back to the original tones of the heavenly spheres and put your body into a balanced resonance. Solfeggio music is the key to the Universe. You can either throw it away or you can use it to find healing and harmony, health and well-being. Just play the music!
**This article was originally featured on www.attunedvibrations.com.**

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COSMOLOGY SACRED GEOMETRY AND NUMEROLOGY … VIDEO ARCHIVE

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Life Beyond Earth - 

Origin And Evolution Of Life In The Universe

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CLICK HERE FOR VIDEO ARCHIVE

 

Blueprint of Creation

Geometry is a vast field of study and Sacred Geometry is a term used to indicate a particular field where the qualitative as well as quantitative elements are addressed. Other terms for this study include: • ancient geometry: many ancient traditions used this form of geometry • organic geometry or bio-harmonic geometry: the geometry of nature • archetypal geometry: illustrates the self-organizing forces of creation • classical geometry: all can be reduced to divisions of circle and sphere • philosophical / theosophical geometry: the nature of creation • universal geometry: because it pervades the universe • inter-dimensional geometry: functions on all levels of creation Sacred geometry is a universal language that describes the inner workings of nature and the intrinsic order of the universe. It is the natural sanction that unites all forms of life… from microbes, plants, animals and humans to the motions of the planets and stars. 

Sacred geometry shows the quality of relatedness between unique and individual differences and demonstrates how diverse elements can be organized into a whole, while still preserving their individual uniqueness. Everything has an underlying geometric template which links it into the cosmos. Geometric cosmology provides a tangible means of examining the intrinsic order of the Universe. It shows how the microcosm reflects the macrocosm. It is both exoteric and esoteric, providing an interface between the seen and unseen, the quantitative and qualitative, the finite and infinite. It symbolizes the relationship of form, movement, space and time. 

Everything that appears solid in the world is actually in a state of vibration. Nature is abuzz with pulses, oscillations, wave motions, rhythms and cycles in a vast spectrum of universal energies—all of which can be defined as vibration and frequency. Frequency can be expressed through number and number through shape and form—which is geometry. Everything in the world is energy in a continual state of change. The sum total of energy in the universe does not increase or diminish but is continually transformed from one state to another. There is no end, only change. The end of one cycle marks the beginning of another. From the dance of atoms to spiraling galaxies, every type of growth and motion is governed by the same set of mathematical laws. 

These laws are contained in the primary shapes and patterns that develop from uniform divisions of the circle and sphere. They are graphical representations of the mathematical principles upon which nature operates. They describe the self-organizing forces that manifest in infinite diversity. The patterns are reflected in nature as natural forms, but with an important distinction. While natural forms are geometrically organized, every form is unique and can only approximate the mathematical principle upon which it is based. Although governed by mathematical rule, natural form always gives way to physical constraints. Natural forms are determined by the interaction of intrinsic and extrinsic forces. In the case of a plant, for example, the intrinsic forces are governed by the genetic coding that geometrically organizes the molecular arrangements to shape the vegetal characteristics of that particular plant. The extrinsic forces are those influences that are external to the plant’s biological form. 

They are largely environmental such as soil content, temperature, humidity, wind, rain and sunshine. They influence the options and create limitations affecting the plant’s existence. Nature, as a response to the action of force, creates an infinite diversity of forms from a basic inventory of archetypal mathematical principles. The archetypes are the basic pattern-forming processes that, operating within strict limits, create limitless varieties. Natural forms are diagrams of the forces that created them. Every natural form is a blend of beauty and function, demonstrating how nature develops the most refined, regenerative technology based on a geometric system that combines economy of energy with optimal performance. As well as the world being geometrically organized, it is also geometry that determines how we perceive it. 

We experience the world through our senses, which respond to energy fluctuations in our field of awareness. Each sense is tuned to a different range of frequencies. On the most fundamental level, our senses react according to the geometrical and proportional differences of the stimulus involved. If we smell a rose, it is not actually the chemical substance of its perfume that we respond to but rather the geometric nature of the chemical’s molecular structure. If blindfolded, many of us would not be able to distinguish the aroma of a garden rose from a perfume that had been produced in a laboratory. This is because the molecules of the chemicals were bonded similarly to those of the rose—in other words they shared the same geometry. 

Our sense of sight differs from our sense of touch because the nerves of the retina are tuned to a different range of frequencies than are the tactile nerves. The same applies to the nerves involved in the senses of taste, smell, or hearing—it is the geometric distinctions among the frequencies that we respond to. Geometry is the constant amidst a continual process of change. Our physical bodies are in a constant state of change—every atom of every molecule is continually changed and replaced. 

The DNA molecule is generally considered to be the vehicle of continuity. However, the information to replicate is not encoded in the physical DNA molecule; or the carbon, oxygen, hydrogen and nitrogen elements that compose DNA—because they too are continually changed and replaced. The vehicle of continuity is a geometric spiral (helix) which provides an invisible blueprint upon which DNA is structured. The spiral is based upon archetypal geometric proportions that exist prior to the physical state. It is these invisible geometric proportions of the spiral that are responsible for the replicating power of the DNA. Similarly, the process of photosynthesis in plants occurs because the geometry of the carbon, hydrogen, magnesium and nitrogen elements of the chlorophyll molecule is organized into a harmonic twelve-fold arrangement. These same elements in any other arrangement will not transform radiant energy into life substance. . .

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